1 00:00:01,626 --> 00:00:05,796 [eerie music] 2 00:00:05,880 --> 00:00:07,965 (narrator) THERE IS A FIFTH DIMENSION 3 00:00:08,049 --> 00:00:10,467 BEYOND THAT WHICH IS KNOWN TO MAN. 4 00:00:10,552 --> 00:00:13,387 IT IS A DIMENSION AS VAST AS SPACE 5 00:00:13,430 --> 00:00:16,265 AND AS TIMELESS AS INFINITY. 6 00:00:16,349 --> 00:00:19,977 IT IS THE MIDDLE GROUND BETWEEN LIGHT AND SHADOW, 7 00:00:20,061 --> 00:00:22,229 BETWEEN SCIENCE AND SUPERSTITION. 8 00:00:22,272 --> 00:00:25,566 AND IT LIES BETWEEN THE PIT OF MAN'S FEARS 9 00:00:25,650 --> 00:00:28,569 AND THE SUMMIT OF HIS KNOWLEDGE. 10 00:00:28,653 --> 00:00:31,113 THIS IS THE DIMENSION OF IMAGINATION. 11 00:00:31,197 --> 00:00:35,409 IT IS AN AREA WHICH WE CALL THE TWILIGHT ZONE. 12 00:00:58,850 --> 00:01:01,018 PORTRAIT OF A MAN AT WORK. 13 00:01:01,102 --> 00:01:05,439 THE ONLY WORK HE'S EVER DONE. THE ONLY WORK HE KNOWS. 14 00:01:05,482 --> 00:01:09,151 HIS NAME IS HENRY FRANCIS VALENTINE, BUT HE CALLS HIMSELF ROCKY 15 00:01:09,235 --> 00:01:11,487 BECAUSE THAT'S THE WAY HIS LIFE HAS BEEN. 16 00:01:11,571 --> 00:01:15,282 ROCKY AND PERILOUS AND UPHILL AT A DEAD RUN ALL THE WAY. 17 00:01:15,325 --> 00:01:19,495 HE'S TIRED NOW, TIRED OF RUNNING OR WANTING 18 00:01:19,579 --> 00:01:22,706 OF WAITING FOR THE BREAKS THAT COME TO OTHERS BUT NEVER TO HIM. 19 00:01:22,791 --> 00:01:25,292 NEVER TO ROCKY VALENTINE. 20 00:01:25,335 --> 00:01:29,171 [Police sirens approaching] 21 00:01:45,146 --> 00:01:51,652 [gunshots] 22 00:01:56,825 --> 00:01:58,534 STOP! STOP OR I'LL SHOOT! 23 00:01:58,618 --> 00:02:01,078 NOT THIS TIME, YOU LOUSY SCREW. 24 00:02:01,162 --> 00:02:06,750 [gunshots] 25 00:02:11,381 --> 00:02:14,675 (narrator) A SCARED, ANGRY LITTLE MAN. 26 00:02:14,759 --> 00:02:17,344 HE THINKS IT'S ALL OVER NOW, BUT HE'S WRONG. 27 00:02:17,428 --> 00:02:21,473 FOR ROCKY VALENTINE, IT'S JUST THE BEGINNING. 28 00:02:36,114 --> 00:02:38,699 MR. VALENTIN E. 29 00:02:38,741 --> 00:02:41,326 MR. VALENTIN E! 30 00:02:54,799 --> 00:02:56,383 WHO ARE YOU? 31 00:02:58,469 --> 00:03:01,138 MY NAME IS P I P. CAN I H ELP YOU? 32 00:03:01,222 --> 00:03:03,891 HOW DO YOU KNOW MY NAME? 33 00:03:03,975 --> 00:03:06,602 IT'S MY JOB TO KNOW EVERYTHING ABOUT YOU. 34 00:03:06,686 --> 00:03:09,605 ARE YOU A COP? 35 00:03:09,689 --> 00:03:13,650 OH, NO, NO, I'M A-- I'M YOUR GUIDE, AS IT WERE. 36 00:03:15,820 --> 00:03:17,613 [chuckIes] 37 00:03:17,697 --> 00:03:19,907 G U I DE, EH? 38 00:03:19,991 --> 00:03:22,701 I NEED LIKE A HOLE IN THE H EAD. 39 00:03:26,831 --> 00:03:29,082 WHOA. 40 00:03:29,167 --> 00:03:31,668 WHAT HAPPENED? 41 00:03:31,753 --> 00:03:35,797 YOU HAD A SLIGHT ACCIDENT. BUT DON'T WORRY. YOU'LL BE AS F IT AS A NEW F I DDLE SOON. 42 00:03:35,882 --> 00:03:39,801 I'M SURE YOU'D LIKE TO CHANG E OUT OF THOSE RU M PLED CLOTH ES, EH, MR. VALENTIN E? 43 00:03:39,886 --> 00:03:42,471 HOLD IT A MINUTE. 44 00:03:42,555 --> 00:03:44,640 I WANNA KNOW HOW YOU KNOW MY NAME. 45 00:03:44,724 --> 00:03:45,974 I'VE ALREADY TOLD YOU. 46 00:03:46,059 --> 00:03:48,644 YOU TOLD ME NOTHING. 47 00:03:48,728 --> 00:03:52,105 LET ME CLU E YOU, FATSO. I DON'T LIKE GAM ES. 48 00:03:52,190 --> 00:03:54,608 OH, THAT ISN'T TRU E, MR. VALENTIN E. 49 00:03:54,651 --> 00:03:58,487 WHY-WHY, YOU LIKE ROU LETTE, BLACKJACK, POKER, CRAPS, 50 00:03:58,571 --> 00:04:00,822 AND BETWEEN THE AG ES OF SEVEN AND TEN 51 00:04:00,907 --> 00:04:03,033 YOU WERE QU ITE FON D OF M U M BLETY-PEG. 52 00:04:07,580 --> 00:04:09,957 WHAT ARE YOU AFTER, ANYWAY? 53 00:04:09,999 --> 00:04:13,293 ONLY ONE THING, MR. VALENTIN E. YOUR COM FORT. 54 00:04:13,336 --> 00:04:16,630 MY JOB IS TO SEE TO IT THAT YOU GET WHAT YOU WANT, WHATEVER IT MAY BE. 55 00:04:16,714 --> 00:04:20,217 YEAH? IN EXCHANG E FOR WHAT? 56 00:04:20,301 --> 00:04:24,012 NOTHING AT ALL, MR. VALENTIN E. IT'S ABSOLUTELY FREE. 57 00:04:24,097 --> 00:04:27,641 DON'T PUT ME ON, FATSO. NOTHING'S FREE. NOTHING! 58 00:04:27,684 --> 00:04:30,978 ANYTHING I EVER GOT IN THIS LOUSY WORLD I HAD TO DRAG OUT OF IT, 59 00:04:31,020 --> 00:04:34,022 SO DON'T PUT ME ON. 60 00:04:34,107 --> 00:04:37,067 NOW, WHAT'S THE P ITCH? YOU WANT ME TO DO A JOB FOR YOU, RIGHT? 61 00:04:37,151 --> 00:04:39,486 I'M AFRAI D YOU DON'T UNDERSTAND. 62 00:04:39,529 --> 00:04:43,740 NO? ALL RIGHT, LET'S SEE. GIVE ME YOUR WALLET, CRACKER. COME ON, COME ON. 63 00:04:43,825 --> 00:04:45,325 I DON'T HAVE A WALLET. 64 00:04:45,410 --> 00:04:46,994 COME ON, SANTA CLAUS. 65 00:04:47,036 --> 00:04:49,663 NO, HON ESTLY. WAIT, WAIT, MR. VALENTIN E. 66 00:04:49,747 --> 00:04:54,293 IT ISN'T A WALLET YOU WANT, IS IT? NO, NO. IT'S MONEY. 67 00:04:58,214 --> 00:05:00,882 THREE H U N DRED, FIVE H U N DRED. 68 00:05:02,510 --> 00:05:04,094 SEVEN H U N DRED BUCKS. 69 00:05:04,178 --> 00:05:06,430 WILL THAT BE ENOUGH FOR NOW, THEN? 70 00:05:06,514 --> 00:05:08,181 YOU GOT MORE? 71 00:05:08,266 --> 00:05:12,894 OH, YES, AS MUCH AS YOU WANT. NOW, SHALL WE? 72 00:05:12,979 --> 00:05:15,689 HEY, FATS. 73 00:05:20,486 --> 00:05:24,031 NOW, DON'T TRY ANYTHING FU N NY, HM? 74 00:05:36,210 --> 00:05:38,462 YOU LIKE IT? 75 00:05:38,546 --> 00:05:40,380 YEAH. 76 00:05:40,465 --> 00:05:43,300 YEAH, IT'S SOME PAD, ALL RIGHT. 77 00:05:43,384 --> 00:05:46,553 WHO'S IT BELONG TO? SOME PHONY POLITICIAN? 78 00:05:46,637 --> 00:05:49,389 WHY, IT BELONGS TO YOU, MR. VALENTIN E. 79 00:05:49,432 --> 00:05:52,059 MM-HM. 80 00:05:52,101 --> 00:05:54,978 THAT IS IF, UH, IF YOU APPROVE. 81 00:05:57,899 --> 00:05:59,983 YEAH, I APPROVE. 82 00:06:00,068 --> 00:06:02,819 OF COURSE, WE CAN MAKE ANY CHANG ES YOU WISH. 83 00:06:02,904 --> 00:06:08,116 YOU SEE, I WASN'T TOO SURE ABOUT THE H I-F I RIGHT OVER THERE, BUT-- 84 00:06:08,201 --> 00:06:11,912 YOU MEAN, ALL THIS GETS THROWN INTO THE DEAL? 85 00:06:14,707 --> 00:06:18,752 OH, IT'S ALREADY IN THE DEAL AS YOU CALL IT, MR. VALENTINE. 86 00:06:18,795 --> 00:06:21,088 LOOK HERE. 87 00:06:27,428 --> 00:06:28,970 YOU SEE? 88 00:06:29,055 --> 00:06:30,972 AH. 89 00:06:38,398 --> 00:06:40,690 THAT IS THE MASTER BEDROOM. 90 00:06:43,277 --> 00:06:45,779 AH, AH, AH, AH. AFTER YOU. 91 00:06:49,534 --> 00:06:51,827 THERE. 92 00:07:02,630 --> 00:07:07,634 THE BATH ROOM'S IN THERE. I'M SURE YOU'D LIKE A CHANG E OF CLOTHING AND FRESH EN UP A B IT. 93 00:07:07,677 --> 00:07:10,470 YEAH. YEAH, SURE. 94 00:07:13,474 --> 00:07:15,725 BUT FIRST OF ALL, WHAT'S THE P ITCH? 95 00:07:15,810 --> 00:07:19,187 COME ON, THE P ITCH, THE CATCH THE GI M M ICK. WHAT DO I GOTTA DO FOR ALL THIS? 96 00:07:19,272 --> 00:07:21,064 NOTHING, I CAN'T TELL YOU MORE. 97 00:07:21,149 --> 00:07:23,024 I GET IT. YOU'RE JUST A GOON, HUH? 98 00:07:23,109 --> 00:07:24,860 YOU WORK FOR SOMEBODY ELSE, RIGHT? 99 00:07:24,944 --> 00:07:26,570 IN A WAY, YEAH. 100 00:07:26,654 --> 00:07:30,157 WHEN DO I MEET HIM? THE BIG BOY, YOUR BOSS? 101 00:07:30,241 --> 00:07:32,742 [chuckIing] I REALLY COULDN'T SAY. 102 00:07:32,827 --> 00:07:36,621 ALL RIGHT, GOON. I CAN WAIT. 103 00:07:53,681 --> 00:07:57,184 ANY PARTICU LAR COLOR OR STYLE, S I R? 104 00:07:57,226 --> 00:07:58,768 NO, YOU PICK IT. 105 00:07:58,853 --> 00:08:01,438 OH, I COULD HARDLY PRESU ME TO DO THAT! 106 00:08:01,522 --> 00:08:05,859 HOWEVER, BEARING IN MIND THAT YOU FAVOR A NICE CHECK, I THOUGHT PERHAPS-- 107 00:08:09,071 --> 00:08:10,947 YEAH, THAT'LL DO. 108 00:08:11,032 --> 00:08:14,284 YEAH. WE HAVE QU ITE A WI DE SELECTION OF TI ES HERE, 109 00:08:14,368 --> 00:08:18,246 AND I BELIEVE THAT YELLOW IS YOUR FAVORITE COLOR. 110 00:08:18,331 --> 00:08:21,708 [chuckIes] WHAT'S THE MATTER WITH YOU? 111 00:08:21,792 --> 00:08:24,377 YOU GOT NO TASTE? 112 00:08:27,215 --> 00:08:29,925 NOW, THAT'S A TI E, SEE? 113 00:08:31,260 --> 00:08:33,762 HEY. HUH? 114 00:08:33,846 --> 00:08:36,097 [Iaughs] IT F ITS. 115 00:08:36,182 --> 00:08:37,891 [Iaughing] OF COURSE. 116 00:08:37,975 --> 00:08:40,936 YES, VERY IMPRESS IVE, S I R. 117 00:08:41,020 --> 00:08:44,814 YEAH, WELL, I'LL SAY THIS, YOUR GUY KNOWS CLOTH ES. 118 00:08:51,239 --> 00:08:53,156 MR. VALENTIN E. 119 00:08:53,241 --> 00:08:55,659 WHERE DID THAT COME FROM? 120 00:08:55,743 --> 00:08:59,621 I THOUGHT YOU MIGHT BE A LITTLE H U NG RY, SO I JUST ORDERED UP SOMETHING FOR YOU. 121 00:09:12,760 --> 00:09:16,179 U H-U H. YOU EAT IT. 122 00:09:16,264 --> 00:09:19,015 OH, BUT I DON'T EAT. I HAVEN'T EATEN I N-- 123 00:09:19,100 --> 00:09:21,268 IT MUST BE TWO OR THREE CENTU RI ES. 124 00:09:21,310 --> 00:09:22,936 ANYTHING WRONG WITH IT? 125 00:09:22,979 --> 00:09:24,271 NO. 126 00:09:24,313 --> 00:09:25,689 THEN EAT IT. 127 00:09:25,773 --> 00:09:27,774 BUT I CAN'T. I'VE FORGOTTEN HOW. 128 00:09:27,817 --> 00:09:30,694 I GET IT. GIVE A GUY SOME N EW CLOTH ES AND A BATH 129 00:09:30,778 --> 00:09:33,863 AND THEN PO ISON HIM, HUH? PRETTY SMART, PRETTY SMART, FATSO, 130 00:09:33,948 --> 00:09:35,824 BUT NOT SMART ENOUGH! 131 00:09:39,620 --> 00:09:43,123 A BU LLETPROOF VEST, HUH? LET'S SEE HOW YOUR H EAD HOLDS UP. 132 00:09:43,207 --> 00:09:45,292 MR. VALENTIN E, PLEASE. 133 00:09:51,966 --> 00:09:54,884 I COULDN'T HAVE MISSED, NOT AT THIS RANG E. 134 00:09:54,969 --> 00:09:56,970 MAYBE-- 135 00:10:18,784 --> 00:10:20,827 HEY, WAIT A MINUTE. 136 00:10:20,870 --> 00:10:25,165 WHERE DID THIS COME FROM? THIS WASN'T HERE BEFORE. 137 00:10:25,207 --> 00:10:28,084 WHAT'S GOING ON HERE? 138 00:10:28,169 --> 00:10:30,670 WHERE AM I? 139 00:10:30,755 --> 00:10:35,008 MR. VALENTIN E, DO YOU REMEMBER WHEN WE MET EARLI ER TODAY? 140 00:10:35,092 --> 00:10:37,177 I TOLD YOU I WAS, IN A SENSE, YOUR GU I DE, 141 00:10:37,261 --> 00:10:40,430 AND YOU SAID YOU NEEDED A GU I DE LIKE A HOLE IN THE H EAD? 142 00:10:40,514 --> 00:10:44,684 AS A MATTER OF STRICT FACT, YOU HAD A HOLE IN THE H EAD, ONLY A SHORT TIME BEFORE. 143 00:10:44,769 --> 00:10:47,187 A BU LLET HOLE. 144 00:10:47,229 --> 00:10:51,399 OH, YEAH, THAT'S RIGHT. THE COPS, THEY-- 145 00:10:52,818 --> 00:10:56,404 THEN IMUST-- I MUST BE DEAD. 146 00:10:56,489 --> 00:10:59,282 M M-H M. 147 00:10:59,367 --> 00:11:02,118 WELL, IF I'M DEAD, 148 00:11:02,203 --> 00:11:04,913 TH EN-THEN ALL OF THIS, 149 00:11:04,997 --> 00:11:08,541 THE JO I NT, TH E-THE CLOTH ES, TH E-THE BOOZE. 150 00:11:08,626 --> 00:11:11,294 THEN IMUST BE IN H EAVEN. 151 00:11:11,379 --> 00:11:14,130 YEAH, THAT'S IT. THAT'S IT, I'M IN H EAVEN, RIGHT? 152 00:11:14,215 --> 00:11:16,800 YOU'RE MY GUARDIAN ANGEL OR SOMETHING LIKE THAT. 153 00:11:16,884 --> 00:11:18,593 SOMETHING LIKE THAT, YEAH. 154 00:11:18,678 --> 00:11:20,136 ANYTHING I WANT, EH? 155 00:11:20,221 --> 00:11:22,138 ANYTHING, ANYTHING. 156 00:11:22,223 --> 00:11:24,933 YEAH, BIG TALK, FATSO. I WANNA SEE A LITTLE ACTION NOW. 157 00:11:25,017 --> 00:11:29,813 RIGHT NOW I WANT A M I LLION BUCKS IN FIVE "G" NOTES. 158 00:11:29,897 --> 00:11:32,399 AN D, UH, AND A CH ICK THAT WON'T QU IT. 159 00:11:32,483 --> 00:11:35,318 I MEAN, I MEAN, JUST LIKE STACKED, 160 00:11:35,403 --> 00:11:40,073 LIKE, LIKE, LIKE, LIKE, BEAUTIFUL, HUH? 161 00:11:42,910 --> 00:11:44,661 WELL? 162 00:11:44,745 --> 00:11:47,664 AS FOR THE M ILLION, LOOK IN THAT DRAWER. 163 00:11:47,748 --> 00:11:49,457 THERE? 164 00:11:49,542 --> 00:11:50,583 M M-H M M. 165 00:11:52,169 --> 00:11:55,797 A M I LLION. A M I LLION BUCKS! 166 00:11:55,881 --> 00:12:00,677 [Iaughs] HEY, BUT WHAT ABOUT, UH, UH? 167 00:12:08,227 --> 00:12:10,937 [lively dance music playing] 168 00:12:15,776 --> 00:12:17,694 NOW I KNOW I'M IN H EAVEN. 169 00:12:17,778 --> 00:12:19,821 WILL THERE BE ANYTHING ELSE, S I R? 170 00:12:19,905 --> 00:12:23,158 YEAH, THERE WILL BE, FATS. THERE WILL BE, JUST STICK AROUND. 171 00:12:23,242 --> 00:12:25,160 H IYA, DOLL. 172 00:12:29,290 --> 00:12:31,499 OOO-HOO-HOO! 173 00:12:35,671 --> 00:12:38,840 YEE! OOO-HOO-HOO! 174 00:12:41,761 --> 00:12:44,637 YEE! [Iaughs] 175 00:12:53,731 --> 00:12:56,608 (croupier) PLACE YOUR BETS, LADI ES AND GENTLEM EN. 176 00:12:58,027 --> 00:13:00,487 NO MORE BETS, PLEASE. 177 00:13:00,571 --> 00:13:03,531 THIRTY-THREE BLACK. 178 00:13:03,616 --> 00:13:07,202 HEY, HOW ABOUT THAT. I WIN AGAIN. HEY, FATS, COME HERE, COME HERE. 179 00:13:07,286 --> 00:13:10,371 PUT YOUR MONEY ON THE TABLE, FATS. RIGHT THERE, NUMBER 1 4 RED. 180 00:13:10,456 --> 00:13:13,374 ROCKY IS HOT TONIGHT. AM I RIGHT, DOLLS? 181 00:13:13,459 --> 00:13:16,336 I'M AFRAI D I DON'T HAVE ANY MONEY, S I R. 182 00:13:16,420 --> 00:13:20,924 YOU DON'T HAVE ANY MONEY? WHAT DO THEY PAY YOU, IN HALOS OR SOMETHING? 183 00:13:21,008 --> 00:13:23,885 PLACE YOUR BETS, LADIES AND GENTLEMEN. PLACE YOUR BETS. 184 00:13:23,969 --> 00:13:25,929 [Iaughs] 185 00:13:26,013 --> 00:13:28,848 NO MORE BETS, LADI ES AND G ENTLEM EN, NO MORE BETS. 186 00:13:33,354 --> 00:13:34,854 FOURTEEN RED. 187 00:13:34,939 --> 00:13:37,440 WHOO-HOO! 188 00:13:37,525 --> 00:13:40,276 [shouting joyfuIIy] 189 00:13:40,361 --> 00:13:43,947 THAT MAKES WHAT, WHAT, HUH? 40 GRAND IN AN HOUR. 190 00:13:44,031 --> 00:13:46,574 HOW ABOUT IT? IS ROCKY HOT OR IS ROCKY HOT? 191 00:13:46,659 --> 00:13:49,160 ROCKY'S HOT. 192 00:13:49,245 --> 00:13:53,540 GO TRADE THIS IN FOR GOLD, BABY. AND I TELL YOU I'M GONNA BUY AND SELL THIS JO I NT. 193 00:13:53,582 --> 00:13:56,751 HERE, GO GET THEM. HEY, HEY, HEY, BABY. 194 00:13:56,836 --> 00:14:00,296 THERE'S 40 GRAND IN THERE AND I COU NT REAL GOOD. YOU KNOW WHAT I MEAN? 195 00:14:00,381 --> 00:14:03,216 ALL RIGHT. AH. 196 00:14:03,300 --> 00:14:07,637 I GOT THIS TABLE SPOOKED. LET'S GO SEE WHAT'S SHAKING WITH THE CU BES, HUH? 197 00:14:07,721 --> 00:14:09,889 PLACE YOUR BETS, LADIES AND GENTLEMEN. 198 00:14:11,392 --> 00:14:13,977 HERE, BABY, GO GET ME SOME J U ICE. 199 00:14:27,575 --> 00:14:29,617 WHOO-HOO! 200 00:14:29,702 --> 00:14:31,661 HEY, LOOK AT THIS! LOOK AT THIS! 201 00:14:31,745 --> 00:14:34,998 THERE MUST BE 600 BUCKS HERE, HUH? HOW ABOUT THAT, FATS? 202 00:14:35,082 --> 00:14:38,042 HERE YOU ARE, SWEETHEART. GO BUY YOURSELF A DRESS FOR FREE. 203 00:14:38,127 --> 00:14:40,753 A PRESENT FROM ROCKY. [Iaughs] 204 00:14:40,838 --> 00:14:42,755 NEED A CAR, S I R? 205 00:14:42,798 --> 00:14:45,508 YES, A BIG CONVERTI BLE. BE CAREFU L ON THE WAY, YOU KI D. 206 00:14:45,593 --> 00:14:47,093 YES, S I R. 207 00:14:53,934 --> 00:14:55,852 SOMETHING BOTHER YOU, MR. VALENTIN E? 208 00:14:55,936 --> 00:14:58,646 YEAH, HIM. LOUSY SCREW. 209 00:14:58,731 --> 00:15:02,483 THlNKS HE'S [inaudible] JUST 'CAUSE HE'S GOT A COUPLE ON INCHES ON ME. 210 00:15:02,568 --> 00:15:04,694 OH, DEAR, THAT WAS IN DISCREET OF ME. 211 00:15:06,071 --> 00:15:07,447 BETTER? 212 00:15:07,531 --> 00:15:09,365 YEAH! 213 00:15:09,450 --> 00:15:12,285 HEY, SCREW, COME HERE. 214 00:15:12,328 --> 00:15:14,621 YOU GOT YOUR HAT ON, CROOKED TROOPER. 215 00:15:14,705 --> 00:15:16,873 [Iaughs] 216 00:15:19,960 --> 00:15:21,878 READY, S I R. 217 00:15:21,962 --> 00:15:23,755 COME ON, GET I N, GIRLS. 218 00:15:25,174 --> 00:15:28,301 [grunts] 219 00:15:30,638 --> 00:15:33,848 HERE YOU ARE, KI D. KEEP THE CHANG E. 220 00:15:33,933 --> 00:15:39,479 ALL RIGHT NOW, LET'S OPEN THIS BABY UP AND SEE WHAT SHE CAN DO. 221 00:15:39,563 --> 00:15:41,731 [women squeal] 222 00:15:43,609 --> 00:15:46,402 [Iaughs] ALL RIGHT, GIRLS. HERE WE GO, HERE WE GO. 223 00:15:46,487 --> 00:15:51,991 INTO THE CRACKER BOX. ON E, TWO, THREE. IT'S MAGIC TIME. 224 00:15:52,034 --> 00:15:55,161 HEY, FATS, I WANT YOU TO GET RID OF THAT H EAP I'VE BEEN DRIVING. 225 00:15:55,245 --> 00:15:57,330 IT GOES FAST ENOUGH. IS SOMETHING WRONG? 226 00:15:57,414 --> 00:16:00,541 YEAH, THE ASHTRAYS ARE FU LL. 227 00:16:00,626 --> 00:16:03,002 HEY, GIRLS, COULD YOU WAIT IN HERE FOR A MINUTE? 228 00:16:03,087 --> 00:16:05,421 I WANNA TALK TO FATS FOR A MINUTE, ALL RIGHT? 229 00:16:05,506 --> 00:16:09,384 IN WE GO. 230 00:16:09,468 --> 00:16:12,595 HEY, FATS, HOW ABOUT TOMORROW WE LOOK UP SOME OF MY OLD BU DDI ES? 231 00:16:12,680 --> 00:16:15,598 LIKE MATT GORMAN OR F IN K M ITCH ELL, S I LKY ARMSTRONG, HUH? 232 00:16:15,683 --> 00:16:17,725 WHAT'S THE MATTER? THEY DIDN'T MAKE IT? 233 00:16:17,810 --> 00:16:20,061 OH, IT'S NOT THAT, MR. VALENTIN E. IT'S, UH-- 234 00:16:20,145 --> 00:16:23,064 IT'S RATHER DI FF ICU LT TO EXPLAIN, REALLY. ALL OF THIS, 235 00:16:23,148 --> 00:16:25,024 ALL IT'S YOUR OWN PRIVATE DOMAI N. 236 00:16:25,109 --> 00:16:28,111 IT WAS MADE ESPECIALLY FOR YOU ALON E. 237 00:16:28,195 --> 00:16:32,073 OH, WHAT ABOUT THEM? YOU MEAN THEY'RE PROPS LIKE IN A MOVIE? 238 00:16:32,157 --> 00:16:35,451 IN A SENSE, YES. EVERYTHING HERE IS, EXCEPT OF COURSE, YOU AND ME. 239 00:16:35,536 --> 00:16:39,789 U H-HUH. LOOK, S IT DOWN FOR A MINUTE, FATSO. I WANNA ASK YOU SOMETHING. 240 00:16:39,873 --> 00:16:42,750 IT'S BEEN KIND OF BUGGING ME ANYWAY. I MEAN, 241 00:16:42,835 --> 00:16:44,794 HOW COME THEY LET ME IN HERE, HUH? 242 00:16:44,878 --> 00:16:47,755 I THOUGHT THIS WAS ONLY FOR SCHOOLTEACH ERS AND LIKE THAT. 243 00:16:47,840 --> 00:16:50,091 OH, WE HAVE SOME SCHOOLTEACH ERS HERE. 244 00:16:50,175 --> 00:16:53,011 THERE M UST'VE BEEN SOMETHING REAL GOOD I DONE SOMETIME, 245 00:16:53,095 --> 00:16:57,140 SOMETHING THAT MADE UP FOR EVERYTHING ELSE, HUH? YEAH, THAT'S IT. 246 00:16:57,224 --> 00:17:00,727 BUT, UH, BUT WHAT? 247 00:17:00,769 --> 00:17:03,229 WHEN DID I EVER DO ANYTHING GOOD? 248 00:17:05,065 --> 00:17:07,483 U H, WELL, LISTEN, HOW DO IF IN D ABOUT TH IS, HUH? 249 00:17:07,568 --> 00:17:11,112 WELL, WE HAVE A HALL OF RECORDS HERE. WOULD YOU LIKE ME TO TAKE YOU THERE? 250 00:17:11,196 --> 00:17:13,281 IS IT OPEN AT THIS HOUR? IT'S ALMOST LIGHT. 251 00:17:13,365 --> 00:17:14,866 IT'S ALWAYS OPEN. 252 00:17:14,950 --> 00:17:17,452 WELL, ALL RIGHT, LET'S GO. [Iaughs] 253 00:17:17,536 --> 00:17:20,580 HEY, DOLLS, DON'T GO AWAY, WILL YA? I'LL BE RIGHT BACK. 254 00:17:20,622 --> 00:17:23,041 I JUST WANNA GET SOMETHING CLEARED UP WITH FATS. 255 00:17:27,087 --> 00:17:29,088 COME ON, LET'S GO. 256 00:18:02,831 --> 00:18:04,248 AH. 257 00:18:06,794 --> 00:18:10,505 "HENRY FRANCIS VALENTIN E." [chuckIes] 258 00:18:10,589 --> 00:18:13,549 "BORN 1 923, BROOKLYN, NEW YORK. 259 00:18:13,634 --> 00:18:16,636 AG E OF SIX, SLAUGHTERED SMALL DOG." 260 00:18:16,678 --> 00:18:18,805 WELL, WHY NOT? HE BIT ME. 261 00:18:18,889 --> 00:18:23,976 "AG E OF SEVEN, STOLE 1 4 TOYS FROM DI ME STORE. 262 00:18:24,019 --> 00:18:28,856 AG E OF EIGHT, ORGAN IZED STREET GANG, THE ANGELS." 263 00:18:28,941 --> 00:18:32,985 HOW ABOUT THAT, HUH? THAT'S WHAT WE CALLED OU RSELVES, THE ANGELS. 264 00:18:33,028 --> 00:18:35,905 THERE WAS A G REAT LITTLE BU NCH. 265 00:18:35,989 --> 00:18:39,492 "AG E OF N IN E, BROKE INTO B ICYCLE STORE." 266 00:18:41,328 --> 00:18:42,578 W-WHAT IS THIS ANYWAY? 267 00:18:42,663 --> 00:18:45,998 YOUR RECORD. 268 00:18:46,083 --> 00:18:48,668 YOU DON'T THINK THERE'S BEEN SOME M ISTAKE, DO YOU? 269 00:18:48,752 --> 00:18:51,170 NOT LIKELY. 270 00:18:51,255 --> 00:18:55,675 I CAN'T F IG U RE IT. BUT I F IT DON'T BOTHER HIM, I AIN'T GONNA LET IT BOTHER ME. 271 00:18:55,717 --> 00:18:57,885 WHAT ARE YOU GOING TO DO NOW, MR. VALENTIN E? 272 00:18:57,970 --> 00:19:01,180 U H. GEE, I DON'T KNOW. 273 00:19:01,223 --> 00:19:03,724 FOOL AROUND WITH THE DOLLS. 274 00:19:03,809 --> 00:19:07,603 SHOOT SOME MORE CRAPS, MAYBE. I DON'T KNOW. 275 00:19:07,688 --> 00:19:12,275 IF YOU NEED ME FOR ANYTHING, MR. VALENTIN E, J UST DIAL P-I-P. 276 00:19:12,359 --> 00:19:15,444 YEAH. 277 00:19:26,707 --> 00:19:30,793 TH I RTEEN BLACK, LADI ES AND GENTLEM EN. TH I RTEEN BLACK. 278 00:19:30,878 --> 00:19:32,587 THANKS. 279 00:19:32,671 --> 00:19:33,963 WHAT ABOUT YOUR CH I P, S I R? 280 00:19:34,047 --> 00:19:36,424 MAI L 'EM TO ME. 281 00:19:53,984 --> 00:19:56,110 WHAT DO YOU GOT? 282 00:19:56,195 --> 00:19:57,987 STRAIG HT FLUSH. 283 00:19:58,071 --> 00:20:00,156 ROYAL FLUSH. 284 00:20:00,240 --> 00:20:02,408 YOU WIN AGAIN, MR. VALENTIN E. 285 00:20:02,492 --> 00:20:05,661 YEAH, I KNOW. THAT'S ALL I EVER DO IN THIS N UTTY JO I NT 286 00:20:05,746 --> 00:20:08,247 IS WI N, WI N, WI N. 287 00:20:08,332 --> 00:20:10,750 IS THERE ANYTHING ELSE I CAN DO FOR YOU? 288 00:20:13,378 --> 00:20:16,339 YEAH, GET OUT OF HERE, WI LL, YA? I'M S ICK OF LOOKING AT YOU. 289 00:20:16,423 --> 00:20:20,134 COME ON, OUT, OUT. YOU, TOO. COME ON, OUT, OUT. LET'S GO. 290 00:20:20,219 --> 00:20:24,180 COME ON, GET OUT. 291 00:20:24,264 --> 00:20:27,683 COME ON, COME ON, COME ON! KEEP MOVING. STEP IT UP. 292 00:20:27,768 --> 00:20:31,103 COME ON, COME ON. OUT, OUT, OUT. DU M B BROADS. 293 00:20:31,146 --> 00:20:33,606 WHO NEEDS THEM? 294 00:20:57,422 --> 00:20:59,799 [chuckIing] HEY. 295 00:21:28,620 --> 00:21:30,705 YES, MR. VALENTIN E? WHAT CAN I DO FOR YOU? 296 00:21:30,789 --> 00:21:32,665 WILL YOU STOP CREEPING AROUND? 297 00:21:32,749 --> 00:21:34,625 ANYTHING YOU SAY, S I R. 298 00:21:34,710 --> 00:21:37,169 ANYTHING I SAY. ANYTHING I SAY. KNOCK IT OFF, WILL YOU? 299 00:21:37,212 --> 00:21:38,921 WHY, IS SOMETHING WRONG? 300 00:21:39,006 --> 00:21:41,382 NO, NOTHING'S WRONG. EVERYTHING IS JUST PEACHY! 301 00:21:41,466 --> 00:21:44,552 I'VE BEEN IN THIS DU M P FOR A MONTH AND I CAN'T STAND IT ANYMORE! 302 00:21:44,636 --> 00:21:46,637 BUT I DON'T UNDERSTAND. 303 00:21:46,722 --> 00:21:50,182 ALL RIGHT, I'LL SPELL IT OUT FOR YOU, FATS. I'M BORED, BORED! 304 00:21:50,225 --> 00:21:52,685 THERE'S NO EXCITEM ENT AROUND HERE. NO KICKS! 305 00:21:52,769 --> 00:21:55,354 YEAH, BUT THE GAMBLING. I THOUGHT YOU ENJOYED THAT. 306 00:21:55,439 --> 00:21:58,357 I DO, BUT WHEN YOU WIN EVERY TIME, 307 00:21:58,442 --> 00:22:00,776 THAT AIN'T GAMBLING, THAT'S CHARITY. 308 00:22:00,861 --> 00:22:04,447 I COULD ARRANG E FOR YOU TO LOSE OCCAS IONALLY I F YOU'D LIKE. WOULD THAT H ELP? 309 00:22:04,531 --> 00:22:07,700 IT MIGHT. NO, NO, IT'S NO GOOD. IT AIN'T THE SAM E. 310 00:22:07,743 --> 00:22:10,369 I WOULD KNOW. 311 00:22:10,454 --> 00:22:14,040 AH, PERHAPS YOU MISS YOUR OLD VOCATION. IS THAT IT? 312 00:22:14,124 --> 00:22:16,125 NOW YOU'RE GETTING IT. 313 00:22:16,209 --> 00:22:18,586 THERE'S A BAN K AT THE CORN ER THAT YOU COULD ROB. 314 00:22:18,670 --> 00:22:20,296 OR WOULD YOU PREFER A J EWELRY STORE? 315 00:22:20,380 --> 00:22:21,922 NO, BAN K'S OKAY. 316 00:22:22,007 --> 00:22:24,383 F IN E, F IN E. AS TO THE GETAWAY CAR, 317 00:22:24,426 --> 00:22:28,054 WE HAVE QU ITE A LARGE VARI ETY TO CHOOSE FROM. SOMETHING I NCONSP ICUOUS. 318 00:22:28,138 --> 00:22:32,308 WAIT A MINUTE. IS THERE A CHANCE THAT I COULD GET CAUG HT? 319 00:22:32,392 --> 00:22:35,603 OF COURSE, IF THAT'S WHAT YOU'D LIKE. LET ME J UST MAKE A NOTE OF IT. 320 00:22:35,687 --> 00:22:37,938 COME ON, S IT DOWN, FATS, S IT DOWN. 321 00:22:38,023 --> 00:22:41,984 NOW, LOOK, I DON'T KNOW HOW TO EXPLAIN THIS, 322 00:22:42,069 --> 00:22:44,487 BUT IT JUST AIN'T THE SAME THING. 323 00:22:44,571 --> 00:22:48,783 WHAT'S THE KICK KNOCKING OFF A BAN K IF EVERYBODY KNOWS ABOUT IT, HUH? 324 00:22:48,867 --> 00:22:51,911 AND THE DAM ES. I-- 325 00:22:51,953 --> 00:22:55,915 I NEVER THOUGHT I WOULD GET BORED WITH BEAUTIFUL DAM ES, BUT-- 326 00:22:55,999 --> 00:23:00,252 LOOK, I WOULDN'T EXPECT AN ANGEL TO U N DERSTAND THIS, SEE? 327 00:23:00,337 --> 00:23:03,506 BUT-BUT BEING A BIG GUY WITH A CH ICK, 328 00:23:03,590 --> 00:23:06,258 IT DON'T MEAN ANYTHING IF IT'S ALL SET UP IN ADVANCE. 329 00:23:06,343 --> 00:23:09,178 AND I MEAN, EVERYTHING IS GREAT HERE, SEE? REALLY GREAT. 330 00:23:09,262 --> 00:23:12,264 IT'S JUST THE WAY I ALWAYS I MAG IN ED IT EXCEPT THAT, THAT-- 331 00:23:12,349 --> 00:23:14,850 JUST BETWEEN YOU AND ME, FATS, 332 00:23:14,935 --> 00:23:17,436 I DON'T THINK I BELONG HERE. I DON'T THINK IF IT IN. 333 00:23:17,479 --> 00:23:19,605 OH, NONSENSE, OF COURSE YOU DO. 334 00:23:19,648 --> 00:23:22,358 NO, I MEAN IT, I MEAN IT. J UST SOMEBODY M UST'VE GOOFED. 335 00:23:22,442 --> 00:23:25,194 IF I GOTTA STAY HERE ANOTHER DAY I'M GONNA GO N UTS! 336 00:23:25,278 --> 00:23:28,697 LOOK, LOOK, I DON'T BELONG IN H EAVEN, SEE? 337 00:23:28,782 --> 00:23:31,158 I WANNA GO TO THE OTHER PLACE. 338 00:23:31,243 --> 00:23:33,285 H EAVEN? 339 00:23:33,370 --> 00:23:36,705 WHATEVER GAVE YOU THE IDEA YOU WERE IN H EAVEN, MR. VALENTIN E? 340 00:23:36,790 --> 00:23:39,834 THIS IS THE OTHER PLACE! 341 00:23:46,758 --> 00:23:51,053 [Iaughs maniacaIIy] 342 00:23:57,394 --> 00:24:01,147 (narrator) A SCARED, ANGRY LITTLE MAN WHO NEVER GOT A BREAK. 343 00:24:01,189 --> 00:24:03,566 NOW HE HAS EVERYTHING HE'S EVER WANTED, 344 00:24:03,650 --> 00:24:07,236 AND HE'S GOING TO HAVE TO LIVE WITH IT FOR ETERNITY 345 00:24:07,320 --> 00:24:10,030 IN THE TWILIGHT ZONE. 346 00:24:13,076 --> 00:24:15,828 ROD SERLING, THE CREATOR OF TWILIGHT ZONE 347 00:24:15,871 --> 00:24:21,667 WILL TELL YOU ABOUT NEXT WEEK'S STORY AFTER THIS WORD FROM OUR ALTERNATE SPONSOR. 348 00:24:21,710 --> 00:24:24,044 AND NOW, MR. SERLING. 349 00:24:24,129 --> 00:24:28,174 NEXT WEEK, YOU'LL SPEN D A FEW RATHER U N FORG ETTABLE HOURS IN THIS LIVING ROOM 350 00:24:28,216 --> 00:24:31,177 WATCHING MISS JANICE RU LE AND MR. SH EPPERD STRU DWICK 351 00:24:31,261 --> 00:24:34,555 PARTAKE OF A DRAMATIC DELICACY THAT IT IS ONE PART N U RSERY RHYM E, 352 00:24:34,639 --> 00:24:36,765 ONE PART TERROR. 353 00:24:36,850 --> 00:24:40,060 THIS IS DESIGN ED FOR THOSE OF YOU WHO ARE GETTING TOO MUCH SLEEP. 354 00:24:40,145 --> 00:24:43,355 NEXT WEEK ON THE TWILIGHT ZONE NIGHTMARE AS A CHILD. 355 00:24:43,440 --> 00:24:46,192 I HOPE WE'LL SEE YOU THEN. THANK YOU AND GOOD NIGHT. 356 00:24:49,362 --> 00:24:52,323 [eerie music] 357 00:25:29,736 --> 00:25:32,071 BE SURE TO SEE THE FUN-FILLED FAMILY LIFE 358 00:25:32,113 --> 00:25:35,491 OF ONE OF AMERICA'S GREATEST ENTERTAINERS, THE DAN NY THOMAS SHOW. 359 00:25:35,575 --> 00:25:38,661 MONDAY NIGHTS OVER MOST OF THESE STATIONS. 360 00:27:15,842 --> 00:27:19,678 THE TWILIGHT ZONE IS BROUGHT TO YOU TONIGHT 361 00:27:19,763 --> 00:27:23,849 BY THE NEWEST COFFEE SENSATION ON THE MODERN SCENE. 362 00:27:23,892 --> 00:27:28,354 NEW AROMA-ROAST SANKA COFFEE. 363 00:27:32,359 --> 00:27:35,569 THE TWILIGHT ZONE BROUGHT TO YOU TONIGHT 364 00:27:35,654 --> 00:27:38,530 BY THE COFFEE WITH THE BEST OF THE COFFEE BEAN. 365 00:27:38,615 --> 00:27:42,284 AROMA, FLAVOR, BUT NOT CAFFEINE. 366 00:27:42,369 --> 00:27:45,871 NEW AROMA-ROAST SANKA COFFEE. 367 00:28:17,404 --> 00:28:20,239 AND THE PERFECT COFFEE ON THE MODERN SCENE, 368 00:28:20,323 --> 00:28:22,908 BRAND NEW AROMA-ROAST SANKA. 369 00:28:22,992 --> 00:28:25,452 GIVES YOU THE BEST OF THE COFFEE BEAN. 370 00:28:25,537 --> 00:28:27,663 RICH, RARE AROMA, 371 00:28:27,747 --> 00:28:31,333 HARDY FULL-BODIED FLAVOR AND NO CAFFEINE. 372 00:28:31,418 --> 00:28:34,837 YES, THE RICHEST AROMA, THE HARDIEST FLAVOR. 373 00:28:34,921 --> 00:28:37,339 ALL THE BEST OF THE COFFEE BEAN. 374 00:28:37,424 --> 00:28:41,009 AND GREATEST OF ALL, YOU CAN DRINK ALL YOU WANT. 375 00:28:41,094 --> 00:28:46,306 NEW AROMA-ROAST SANKA IS STILL 97% CAFFEINE FREE. 376 00:28:46,391 --> 00:28:51,603 SANKA COFFEE, AROMA, FLAVOR, BUT NO CAFFEINE. 377 00:29:08,788 --> 00:29:11,540 SQU EEZE THE PACKAG E. GO AHEAD. 378 00:29:11,590 --> 00:29:16,140 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0